Creon and Haemon Essay Example for Free

Creon and Haemon Essay How would you direct the confrontation between Creon and Haemon in order to achieve your chosen impact for your audience? The scene of confrontation between Creon and Haemon comes when Creon has sentenced Antigone, future bride of Haemon, to be shut up in the cave. I would want to show a contrast between the characters with costume, so that the audience would get a visual representation of their emotions. I would dress Creon in an extravagant red silken robe, with gold trimmings. This would highlight his status as King, and also the red could signify a bloodthirsty attitude, as Creon is revelling in Antigones fate. Contrastingly, Haemon would be wearing a simple black cotton robe, without any trimmings. This would show that he doesnt care for superficial extravagance, and black is also a colour of mourning; this would symbolise Haemons feelings towards Antigones fate. In the opening of this scene, Creon greets Haemon pleasantly. I would direct Creon to grip Haemons right hand with both of his own hands, in a friendly, pleading handshake; this would show warmth for Haemon, which is what Creon wishes to express at this point. He would maintain eye contact and stand with legs shoulder-width apart He would speak in a soft tone, with a slow pace, medium pitch and a relatively low volume, again to give the impression of warmth. In the line we are always comrades, and my love for you is unshaken, I would direct the actor playing Creon to emphasise the words always and unshaken, stressing these superlatives, in order to exaggerate the positive feelings, diplomatically Haemons response would be in kind, reciprocating the respect. He would accept the handshake, and keep eye contact. His vocal qualities would be as those of Haemon. He would say I know I am your son, Father, stressing the word Father to show respect and also family love. During this exchange, they would both be very close physically, to show that they are, at this point, still emotionally close. The lighting would be a straw wash from above over the stage, of medium intensity: neutral. Creon would be next to a podium, centre-stage-left. Haemon would be centre stage, and the Chorus would be arranged in a semi-circle around them. During Creons following speech, I would want the audience to witness a change in Creons approach. The first noticeable change in attitude would be when he says Dont be taken in/ Boy. Dont let any woman ensnare you. His tone would become harsher, and lower almost as if speaking in a whisper. He would also grasp Haemon on the word Boy, to show the audience that he wants to instil certain sexist values in Haemon, as it is a subject he feels passionately about. Furthermore, he would almost spit the work woman and emphasise the word ensnare to present acidity to the audience. He would say Dont be taken in, Boy without changing his tone or pace, simply increasing intensity, to show the audience how sincere he is. He would continue in this manner, speaking in harsh tones. The next change in Creons demeanour would come when he says I will do it. And she must die. Here, he would revert to speaking with authority, assertively. He would stress the modal verbs, will and must to show that he is completely fixed upon the idea, and is unwavering. This would show the audience his stubbornness. At this point, low-intensity, subtle red uplighting would have slowly faded in, to cast shadows upon Creons face to make him seem more imposing and venomous. It would be barely noticeable by the audience at this stage, as it would be slowly and subtly introduced. Creon would also step back and stand straight at this point, and pause after the line, to highlight its significance to the audience. He would have his hands calmly by his sides. Creon would continue to rant, his volume increasing, and the red uplighting becoming stronger, as the straw wash slowly faded and his hand gestures becoming increasingly evident and expansive. On the line Anarchy, disobedience, he would be banging his fists on his podium in anger, to show the audience how passionately he feels about the subject. He would be nearly shouting at this point, and Haemon would recoil slightly, in fear and surprise at Creons outburst. Creon would next shift toward the end of his speech, and I would want my audience to see him bring back subtle persuasion, using the fact that he is Haemons father to his advantage: Let it be by a mans hand, eh son? / Not by a conspiracy of women! . I would want him to go back to speaking in lower tones, almost at a stage-whisper level, as he wants to instil his own sexism, and apparent paranoia regarding women, into Haemon yet again. This repetition would show the audience just how sexist Creon is. I would therefore have the actor emphasise the words man son, conspiracy and women to show this, and put one arm around Haemon. The red uplighting would also dim at this point, the straw wash becoming more prominent; this would visually represent the change in tone to the audience. Following the Chorus somewhat neutral response, Haemon would reply by at first speaking pleasantries: Its not for me to say you are wrong is quite self-deprecating and is complimentary to Creon. Haemon would therefore speak it in a soft tone, and would physically lower himself by bending knees and back slightly. His volume would be medium at this point, and he would make no hand gestures. The lighting would remain as a straw wash, all red gone at this point. Haemon would emphasise me and you to underline the fact he is making a direct comparison between himself and Creon. Haemon would change in approach right on the line But I can sometimes hear people whisper. The word but here is a clear discursive marker in the text, indicating a change. Also, Haemon begins to discuss how people see Antigones punishment as unjust. He would thus take a step back is if expecting an outburst from Creon, and emphasise words like people and whisper to show the audience that the character aims to dissociate himself from the views. He would become more pleading as the speech progresses, let me beg you to have second thoughts and I beg you Father. This is again showing he accepts inferiority, but also makes clear to the audience that he is against his fathers actions. The metaphors regarding the failure of stubborn things would be spoken with a degree of accusation regarding Creon; Haemon would look at Creon when saying inflexible and refuses to indicate that there refer to Creon. At the end of the speech he says Take good advice when it is offered. This is a direct question to Creon, and I would have Haemon on one knee, clasping Creons hand at this point, to show his desperation to the audience. In the ensuing stichomythia, I would instruct Creon to increase in volume, pace and raise his voice at the end of each sentence. Also, I would want him to spit phrases like Youre a womans mouthpiece! , whilst shaking his arms, palms clawed and facing up to show rage to the audience. Comparatively, I would instruct Haemon to remain calm, speaking in controlled tones and a steady volume throughout, making few hand gestures. Haemon would instead increase in cold contempt, by sharpening the sound of his vowels at the ends of sentences, and speaking in a low tone, and emphasising certain words. He would emphasise the word demented, but without raising the volume of his voice a great deal. Also, at the end, when Haemon says this disgusting spectacle/ In company with a madman, are welcome to it, I would want him to speak this calmly; without varying his pace. He would say this emphasising disgusting spectacle and madman by raising pitch and volume a little. This would show the audience that he feels contempt toward Creon, but is above just shouting. Creon, on the other hand, would be virtually screaming Bring her out, the bitch, emphasising the word bitch by stressing the harsh vowel sound, and gesturing wildly towards the side entrance, as if indicating from where she should be brought. This would show the audience that Creon has lost his composure, and has lost control of his rage. The lighting would be red uplighting again on Creon only, to cast shadows across his face, whilst a blue gel, to mix with the straw wash, would be coming in from above. Overall, this should all contribute into presenting Haemon into an emotionally controlled, stable character, whereas Creon would appear as quite the opposite; unreasonable, stubborn and emotionally volatile. The objective would be to present the characters as such, to encourage the audience to sympathise with Haemon, even empathise with him; ideally, the audience too would feel frustrated and contemptuous towards Creon.

The Links Between Environmental Ethics and Sciences :: Nature Society Living Papers

The Links Between Environmental Ethics and Sciences Ecologists formulate their scientific theories influenced by ethical values, and in turn, environmental ethicists value nature based on scientific theories. Darwinian evolutionary theory provides clear examples of these complex links, illustrating how these reciprocal relationships do not constitute a closed system, but are undetermined and open to the influences of two broader worlds: the sociocultural and the natural environment. On the one hand, the Darwinian conception of a common evolutionary origin and ecological connectedness has promoted a respect for all forms of life. On the other hand, the metaphors of struggle for existence and natural selection appear as problematic because they foist onto nature the Hobbesian model of a liberal state, a Malthusian model of the economy, and the productive practice of artificial selection, all of which reaffirm modern individualism and the profit motive that are at the roots of our current environmental crisis. These metaphors were includ ed in the original definitions of ecology and environmental ethics by Haeckel and Leopold respectively, and are still pervasive among both ecologists and ethicists. To suppose that these Darwinian notions, derived from a modern-liberal worldview, are a fact of nature constitutes a misleading interpretation. Such supposition represents a serious impediment to our aim of transforming our relationship with the natural world in order to overcome the environmental crisis. To achieve a radical transformation in environmental ethics, we need a new vision of nature. Ecological theories and environmental ethics are reciprocally and dynamically linked. Inquiry into this thesis can provide epistemological and ethical insights for ecologists and environmental philosophers. First, for ecologists it clarifies that environmental ethics is not purely a normative corpus that we should adopt under the pressure of an environmental crisis. Ethical conceptions participate in the genesis and evaluation of ecological theories. Second, environmental philosophers have tended to focus on how ecological sciences could inform environmental ethics. I emphasize, in turn, that it is valuable to analyze and to discuss how ethical conceptions can and do inform ecological sciences. Introduction Ecologists approach nature with the aim of understanding it. Environmental ethicists approach nature asking how we should relate to it, or live in and with it. Two disciplines: ecology looking for the is of nature, environmental ethics seeking for an ought in respect to it. How to bridge these discrete, but parallel courses? How to link the is of ecologists and the ought of eco-philosophers? I propose a circle of continuous reciprocal influences between ecological theories and ethical norms respecting nature.

Tidal energy

1. IntroductionTidal energy is one of the renewable energies that have a promising hereafter as energy beginnings for the whole universe in general and for some states in peculiar. The purpose of this study is to discourse the current position of tidal energy in footings of engineering, runing rule, environmental effects and its hereafter development.The specific aims are: · To sketch the current potency of tidal energy throughout the universe  · To discourse the engineerings up to day of the month  · To place the pros and cons of the current engineerings  · To indicate out the environmental impacts of tidal energy and if any accomplishments so far to relieve this consequence  · To discourse the possible hereafter developments2. BackgroundThe Earth and the Moon continuously produce centrifugal forces on one another. This gravitative consequence creates a bump in the oceans confronting to the side of the Moon. A 2nd bump is produced by the centrifugal force due to the rotary motion of the Earth on the opposite side of it. Those two sides of the Earth are the two countries where high tides are produced. The usage of tidal energy has been started since 12th century for grain milling intents in England and France though it has been barely used due to decelerate gait of engineering developments and other inexpensive energy beginning rivals such as fossil fuels. There were no much researches and developments on the engineering and it did n't acquire adequate attending till recent old ages. But those tidal Millss are the base for the development of modern tidal energy engineerings.3. Tidal energy Status3.1. World Tidal Energy PotentialThe universe ‘s 70 % of its surface covered by H2O has an ability of bring forthing 50000MW tidal current energy yearly ( Atlantis Resource Corporation, 2009 ) . Most of the countries sited in 3.1 are those countries with high potency of tidal energy resources available. But tidal energy is available all over the Earth though the sum of energy to be harnessed is smaller compared to the given 1s.3.2. Current Tidal Energy TechnologiesTidal energy is the energy exploited from the possible and kinetic flow of the tides. There are two presently matured engineerings used to pull out this energy. The possible energy of the tides is exploited utilizing tidal bombardments and the kinetic energy is extracted by the tidal current turbine engineerings ( Fergal O Rourke, 2009 ) .3.2.1. Tidal BarragesTidal bombardments are dams constructed at the oral cavity of estuaries to keep up the coming H2O by shuting the piece gates in either side which builds up a possible energy that can be converted in to electricity by utilizing turbines. This has similar rule like the hydro electric power coevals.Advantages · No demand of fuel  · No waste and nursery gas production  · There is no H2O and air pollution  · Reliable production of electricity  · Predictable and renewableDisadvantage · Expensive for bombardment edifice  · There is deficit of tidal bombardment sites Policy shapers and companies are loath to pass clip and money in research and development for a wider execution of tidal bombardment engineerings because of their high civil substructure costs and environmental issues. Alternatively, they are concentrating on new engineerings such as tidal current turbines which can minimise the cost of dam buildings due to their simpleness in working rule and suitableness to deploy in different countries of oceans.3.2.2. Tidal current turbinesTidal current turbines utilises the kinetic energy of H2O currents to revolve the turbines for electricity coevals. The working rule is the same as the windmills that use the air currents to revolve the air current turbines. The transition of kinetic energy in to utile energy is carried out by two widely used turbine systems viz. horizontal and perpendicular axis turbines. Those are the chief competent right now and they are largely under active research stage with a batch of presentations and trials around the universe ( M.J. Khan, G. Bhuyan, M.T. Iqbal, J.E. Quaicoe, 2009 ) . The blades of Horizontal axis tidal turbines rotate about a horizontal axis which is parallel to the flow of H2O as shown in fig 3.3 below. Those constellations and type of blades are non the lone 1s developed so far. Those are merely samples to demo physically how the horizontal axis tidal turbines look like. The blades of Vertical axis tidal turbines rotate about a perpendicular axis which is perpendicular to the way of the flow of H2O as shown in fig 3.4. There are different blade constellations and types under this class though they are non given in this paper. Tidal current turbines have same advantage as the tidal barrages do but relieve the major disadvantages because of their inexpensive building costs and can be deployed in wider countries of the universe. Those are the grounds tidal current turbines are going more attractive and favorable over tidal bombardments and batch of researches and developments are focussed towards those engineerings.3.3. Environmental impactsAffects the upstream and downstream environment due to the demand of big countries3.4. Future development4. Drumhead and decision5. MentionsAtlantis Resource Corporation. ( 2009 ) . . Retrieved December 27, 2009, from Global Resource: hypertext transfer protocol: //www.atlantisresourcescorporation.com/marine-power/global-resources.html Brooks, R. ( 2008 ) . The World Offshore Renewable Energy Report 2004-2008. DTI. Energy Resources. ( 2009 ) . Retrieved December 05, 2009, from Tidal Power- Energy from the Sea: hypertext transfer protocol: //www.darvill.clara.net/altenerg/tidal.htm Fergal O Rourke, F. B. ( 2009 ) . Tidal energy update. Applied Energy, 398–409. GCK Technology Ltd. ( 2008 ) . Retrieved December 28, 2009, from The Gorlov Helical Turbine: hypertext transfer protocol: //www.gcktechnology.com/GCK/pg2.html M.J. Khan, G. Bhuyan, M.T. Iqbal, J.E. Quaicoe. ( 2009 ) . Hydrokinetic Energy Conversion Systems and Assessment of Horizontal and Vertical Axis Turbines for river and Tidal Applications. Applied Energy, 1823-1835. Peter Clark, Rebecca Klossner, Lauren Kologe. ( 2003 ) . Tidal Energy.

Love Quotes That Never Go Out of Fashion

What is your first reaction when you hear someone use a cheesy line? If you are a closet romantic, youd pooh-pooh the die-hard romantic  talk. You might even make disgusted faces and tell others how stupid young lovers are. But honestly, wouldnt you love it when someone used a cheesy line on you? Something happens to us when we hear cheesy love quotes. On the outside, we pretend to be squeamish. But inside, we admire the deep love that gushes out in the form of unbridled flattery. Break the Ice With Love Quotes Cheesy love quotes can be great icebreakers when you want to work your charm on someone. In fact, many couples have claimed that its the cheesy love quotes that are the deal clinchers. Many years later, they fondly remember the first time they met, often citing the pickup line that sealed their love. As the years go by, couples may fall into a comfort zone, and the expression of these kinds of love sentiments might become awkward. But rest assured romance never dies out. When your partner occasionally makes a public display of affection by using cheesy lines, you cant help feeling all romantic. Use Valentines Day as an Excuse On Valentines Day, you can pull out all the stops. Whether you are single or happily married, this is a perfect time to test the cheesy love quotes and woo your sweetheart. On Valentines Day, you can even blame the cheese on Cupid. Go the extra mile and shower love on your dearest. Cast aside your embarrassment and fear of rejection. Read some sappy romantic movie quotes for inspiration and play Romeo or Juliet. Your lover  might be embarrassed or even mortified by your sudden display of passion. But when they look back, they will treasure these memories of love. Robert BraultTo find someone who will love you for no reason, and to shower that person with reasons, that is the ultimate happiness. Dr. Felice Leonardo (Leo) Buscaglia aka Dr. Love from Speaking of LoveLove is life. And if you miss love, you miss life. Roy Croft from the poem LoveI love you, not only for what you are but for what I am when I am with you. Billy Crystal in the movie When Harry Met SallyWhen you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible. Colin Firth in the movie  Love ActuallyI love you even when youre sick and look disgusting. F. Scott Fitzgerald I love her and that’s the beginning and end of everything. Robert Fulghum from the book True LoveWere all a little weird. And life is a little weird. And when we find someone whose weirdness is compatible with ours, we join up with them and fall into mutual satisfying weirdness—and call it love—true love. Ryan Gosling in the movie Blue ValentineI dont know, I just got a feeling about her. You know when a song comes on and you just gotta dance? Anthony Hopkins in the movie Meet Joe BlackMultiply [love] it by infinity and take it to the depths of forever, and you will still have barely a glimpse of what Im talking about. Franklin P. Jones Love doesnt make the world go round. Love is what makes the ride worthwhile. Jason Jordan True love does not come by finding the perfect person, but by learning to see an imperfect person perfectly. Robert Jordan from the book The Wheel of TimeYou have made a place in my heart where I thought there was no room for anything else. You have made flowers grow where I cultivated dust and stones. John Keats from the book The Mentorï » ¿My creed is love and you are its only tenet. Heath Ledger from the movie A Knight’s TaleMay I ask your name, my lady? Or perhaps angels have no names, only beautiful faces. Sam McBratney from the book Guess How Much I Love YouI love you right up to the moon...and back. George Moore Other men have seen angels, But I have seen thee, And thou art enough. Michel de Montaigne from the book The Complete Essaysï » ¿If I am pressed to say why I loved him, I feel it can only be explained by replying: Because it was he; because it was me. Iris Murdoch [Love is] the extremely difficult realization that something other than oneself is real. Edgar Allan Poe from the short story Annabel Lee We loved with a love that was more than love. Jeremy Taylor Love is friendship set on fire. Robert Tizon I would rather have eyes that cannot see; ears that cannot hear; lips that cannot speak, than a heart that cannot love. Dr. Seuss aka Theodor Seuss GeiselYou know youre in love when you dont want to fall asleep because reality is finally better than your dreams. Swedish Proverb Love me when I least deserve it  because thats when I really need it. J.R.R. Tolkien from the book The Fellowship of the RingI would rather share one lifetime with you than face all the ages of this world alone. Mae West Love conquers all things except poverty and toothache. Oscar Wilde Who, being loved, is poor? Renee Zellweger,  in the movie Jerry MaguireYou had me at hello.